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general Craig Morford (now the
acting deputy attorney general),
who led the review, agreed to a defense request to abandon the terrorism portion of the case.
Convertino complains about
both the conclusions and the way
the investigation was conducted.
“Out of fundamental fairness, there
should have been an evidentiary
hearing,” says Convertino. “I was a
rogue prosecutor from then on.”
Then came the indictment.
In March 2006 the government
charged Convertino with conspiracy to withhold evidence. (His
alleged coconspirator was a U.S.
Department of State official who
testified at the terrorism trial.)
The government’s case hinged on
photographs of a military hospital
in Jordan taken by government
agents. The government argued
that the photos, which could have
discredited Convertino’s interpretation of the sketches found in the
Dearborn raid, should have been
given to the defense, and that
Convertino’s failure to do so was
obstruction of justice.
Convertino, who resigned from
the Justice Department in 2005,
turned to his old friend and former
colleague William Sullivan, Jr., at
Winston & Strawn, who defended
him free of charge. At trial, Sullivan
contrasted the prosecution of the
defendants in the terrorism case
(which he called “responsible”)
with the prosecution of Convertino
(“irresponsible”). Sullivan says he
has never found another case of a
prosecutor who was indicted for a
discovery violation.
Sullivan’s arguments convinced
the jury, which returned a not-guilty verdict for Convertino and
his codefendant last fall.
Convertino can now move forward with his suit against the government, which had been held up
during the criminal proceeding.
Stephen Kohn, Convertino’s lawyer in that case, says he will soon
be filing a motion to compel the
Detroit Free Press reporter to reveal his sources.
Convertino’s suit may bring closure to his story, but it won’t be a
Hollywood ending. The story is
more art-house. The screen darkens and the movie ends, but the audience is left scratching its heads,
wondering what happened.
E-mail: alongstreth@alm.com.
EVAN DAVIS OF CLEARY GOTTLIEB STEEN & HAMILTON
for the Guggenheim Museum and the Museum of Modern Art
in New York City, in a dispute about two paintings by Pablo
Picasso. The plaintiff is a German, Julius Schoeps, whose
great-uncle owned the paintings when Adolf Hitler came to
power. Schoeps says that his great-uncle had to sell under
duress, and that as heir, he is the rightful owner. Schoeps is represented by John Byrne, Jr., of Byrne Goldenberg & Hamilton.
The two paintings, Le Moulin de la Galette, done in 1900, and
Boy Leading a Horse, from 1906, have been hanging in the
Guggenheim and MoMA, respectively, for 40 years.
assemble corporate partners, litigators, and academics to assess a
company’s options.
That idea couldn’t be implemented at Weil because of internal opposition. There was
concern that bankruptcy lawyers
would scare corporate clients
away, according to Bienenstock.
But at Dewey & LeBoeuf, “The
concept of marrying [the practice of] corporate governance
with [bankruptcy] was warmly received,” says Bienenstock.
It’s a sentiment echoed by another former Weil partner, who
says the firm is “locked in a time
warp.” While firms like Skadden,
Arps, Slate, Meagher & Flom and
Kirkland & Ellis have positioned
their bankruptcy departments to
fit with their litigation and corporate departments, Weil’s group
8*--*". 3*& 4& 3 *--6453" 5*0/
has remained more isolated, he
says. According to this lawyer,
Weil’s corporate department
has resisted integration with the
firm’s bankruptcy department,
which has long been supreme at
the firm. Some corporate partners saw integration as a threat to
their own practice.
Thomas Roberts, cochair of
Weil’s corporate department,
says the firm’s model
allows for partners
from the various practice groups to work
together when the
need arises. The firm
simply doesn’t need
to market itself any
differently. “If I’m going to see a healthy
company, I don’t need
to take a bankruptcy
lawyer with me,” says Roberts.
Bienenstock is taking with
him veteran partner Judy Liu
and associate Timothy Karcher,
who joined Dewey as a partner.
Their departure comes on the
heels of the departure of four
other prominent Weil partners—
George Davis, Deryck Palmer,
John Rapisardi, and Andrew
Troop—who were lured by Cad-
walader, Wickersham & Taft last
spring. The previous year, Paul
Basta, another young talented
partner, left for Kirkland & Ellis.
Marcia Goldstein, who was
previously cochair with Bienenstock and who will now run the
practice solo, still has a large
group to lead at Weil. The firm’s
Web site lists 26 partners in the
group, including Harvey Miller,
who retuned last year. Weil chairman Stephen Dannhauser calls
it the best bankruptcy group
around, and he’s not about to
mess with a winning formula.
“Folks would like to run their
own show, but that’s not always
going to happen here,” says
Dannhauser.
True enough. The Bienenstock show will open elsewhere.